17.04.08 - 07.06.08 The New York School
22.02.08 - 05.04.08 Mirella Ricciardi
06.12.07 - 26.01.08 The Bold and the Beautiful
04.10.07 - 01.12.07 Eyes Of An Island - Japanese Photogra...
12.09.07 - 29.09.07 LONDON - Matthew Pillsbury
02.07.07 - 04.08.07 Dr. Harold Edgerton
28.06.07 - 01.08.07 Alfred Eisenstaedt
01.06.07 - 27.06.07 Colin Jones - The Black House
26.04.07 - 17.06.07 Edward Quinn - A Day's Work
03.02.07 - 14.04.07 Fashion
01.02.07 - 10.03.07 Hunter S. Thompson - Gonzo
29.11.06 - 03.01.07 Peter Beard - Time's Up
26.10.06 - 03.11.06 Flip Shulke - Hero
12.10.06 - 14.11.06 David Parker – Sirens II
12.09.06 - 07.10.06 Emil Otto Hoppé - Hoppé's London
23.05.06 - 01.07.06 Botanicals
11.05.06 - 17.06.06 Miroslav Tichy & Jacques Henry Lartigue
01.09.05 - 01.10.05 Ken Griffiths - Three Gorges
23.04.05 - 31.05.05 Sarah Moon - Circus
08.03.05 - 06.04.05 Joseph Szabo - Teenage
24.11.04 - 31.01.05 Peter Beard - Living Sculpture
04.11.04 - 15.01.05 Matthew Pilsbury - Screen Lives
15.09.04 - 30.10.04 David Parker - Sirens
20.11.03 - 17.01.04 Photographs from the Bauhaus
For past exhibitions at Michael Hoppen Contemporary click here
Fashion
03.02.07 - 14.04.07
Hat + 5 Roses, Paris (Vogue), 1956
© William Klein
Silver Gelatin Print
16 x 20"
Lillian Bassman /Sarah Moon / Fernand Fonssagrives / Terry Richardson / Louise Dahl Wolfe / Mary McCartney / Martin Munkasci / Sam Haskins / Man Ray / William Klein / George Dambier / Jacques Henri Lartigue / Richard Avedon / Baron Adolphe de Meyer / Guy Bourdin / Ronald Traeger/ William Claxton / Paulo Roversi / Ellen Von Unwerth/ Jeanloup Sieff
To coincide with London Fashion Week the Michael Hoppen Gallery is delighted to announce an exhibition of enduring and influential photographs that have defined nearly a century of fashion photography.
Spanning the entire 20th century the exhibition will include work by Baron Adolphe de Meyer one of the first ever fashion photographer; Martin Munkasci whose pioneering snapshot aesthetic moved fashion photography out of the studio; the ambitious, arrogant narratives of Guy Bourdin; Man Ray whose commercial work Le Mode fused surrealism and fashion; the fantastical images of Sarah Moon and the raw sexual exuberance of Terry Richardson. It was not in the brief of these photographers to produce something artistic, rather to produce what their editorial or advertising assignment dictated. This exhibition features the photographers who evolved distinctive aesthetic signatures and illustrate how the boundaries between art and fashion were crossed.

