17.04.08 - 07.06.08 The New York School

22.02.08 - 05.04.08 Mirella Ricciardi

06.12.07 - 26.01.08 The Bold and the Beautiful

04.10.07 - 01.12.07 Eyes Of An Island - Japanese Photogra...

12.09.07 - 29.09.07 LONDON - Matthew Pillsbury

02.07.07 - 04.08.07 Dr. Harold Edgerton

28.06.07 - 01.08.07 Alfred Eisenstaedt

01.06.07 - 27.06.07 Colin Jones - The Black House

26.04.07 - 17.06.07 Edward Quinn - A Day's Work

03.02.07 - 14.04.07 Fashion

01.02.07 - 10.03.07 Hunter S. Thompson - Gonzo

29.11.06 - 03.01.07 Peter Beard - Time's Up

26.10.06 - 03.11.06 Flip Shulke - Hero

12.10.06 - 14.11.06 David Parker – Sirens II

12.09.06 - 07.10.06 Emil Otto Hoppé - Hoppé's London

23.05.06 - 01.07.06 Botanicals

11.05.06 - 17.06.06 Miroslav Tichy & Jacques Henry Lartigue

01.09.05 - 01.10.05 Ken Griffiths - Three Gorges

23.04.05 - 31.05.05 Sarah Moon - Circus

08.03.05 - 06.04.05 Joseph Szabo - Teenage

24.11.04 - 31.01.05 Peter Beard - Living Sculpture

04.11.04 - 15.01.05 Matthew Pilsbury - Screen Lives

15.09.04 - 30.10.04 David Parker - Sirens

20.11.03 - 17.01.04 Photographs from the Bauhaus


For past exhibitions at Michael Hoppen Contemporary click here

Eyes Of An Island - Japanese Photography 1945-2007

04.10.07 - 01.12.07

Protest (From the series: Protest) Tokyo, 1969

Protest (From the series: Protest) Tokyo, 1969
© Shomei Tomatsu courtesy Studio Equis

Silver Gelatin Print

35 x 24 cm

The Michael Hoppen Gallery, in collaboration with Studio Equis, is delighted to announce a major exhibition of influential Japanese photography dating from 1945 to the present day.

This exhibition will bring together some of the most important and iconic images by recognised masters including Shomei Tomatsu, Daido Moriyama, Hiroshi Hamaya, Shigeichi Nagano, Hiromi Tsuchida, and Eikoh Hosoe. Whilst much of this work has been exhibited at major museums world wide: this exhibition is a rare opportunity for this work to be re-examined face to face. Eyes of an Island also integrates more recent work by well-known photographers such as Hiroshi Sugimoto, Ryuji Miyamoto, Naoya Hatakeyama and Nobuyoshi Araki amongst others.

We will chart three stages of development in this period of Japanese photography: from post-war documentary bearing witness to the destruction of war; turning inward to personal and subjective interpretations of the rapid changes in Japanese society; to a contemporary movement which consistently pushes the boundaries of the photographic medium. These photographers illustrate the diversity and virtuosity of the unique Japanese visual language.

Japan has been at the forefront of photography throughout the 20th century: photography was both a product of and a driving force in modernisation. With the post WWII economic boom Japan began to mass-produce the highest quality equipment and film in the world leading to a staggering photographic output. However, the main platforms for Japanese photography were magazines and books, and as a result very few exhibition quality vintage prints have survived. This, coupled with difficult cultural and political affinities and the time taken to assemble photographic histories within Japan, means that much of the work produced in the decades immediately following WWII has not previously been seen in Europe and the US.

Guiding Light publications and Studio Equis will be producing a limited edition 100 page hardback book to accompany the exhibition. All prints in the exhibition will be available for sale.

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