02.05.13 - 12.06.13 Nobuyoshi Araki
27.04.13 - 28.04.13 SPLINTER - An Independent Photography...
12.02.13 - 28.03.13 Michael Eastman: Havana
01.11.12 - 01.12.12 Lucas Foglia
07.09.12 - 27.10.12 Daido Moriyama - Tights and Lips
30.05.12 - 28.07.12 Valérie Belin – ‘Yohoho’
20.04.12 - 24.05.12 Alex Prager - Compulsion
02.02.12 - 05.04.12 Guy Bourdin
02.12.11 - 21.01.12 Boris Savelev - Colour Constructions
07.10.11 - 12.11.11 Jerusalem
08.09.11 - 01.10.11 Alejandro Chaskielberg - High Tide
15.07.11 - 25.08.11 Patagonia
13.05.11 - 09.07.11 Burke + Norfolk: Photographs from th...
24.02.11 - 21.04.11 Sohei Nishino - The Diorama Map Series
08.12.10 - 12.02.11 Winter Contemporary
14.10.10 - 06.12.10 Robert Bergman
10.09.10 - 10.10.10 Daido Moriyama
26.07.10 - 21.08.10 Guy Bourdin
10.06.10 - 17.07.10 Alex Prager - Week End
07.05.10 - 05.06.10 Daniele Tamagni and Araminta de Clermont
24.03.10 - 01.05.10 Yoshihiko Ueda - QUINAULT
14.01.10 - 20.02.10 Kishin Shinoyama- NUDE
25.11.09 - 09.01.10 C O L O U R - Group Show
22.10.09 - 21.11.09 Ellen von Unwerth- Fräulein
10.09.09 - 17.10.09 Starting with a Photograph
27.07.09 - 05.09.09 Revive - Group Show
04.06.09 - 25.07.09 Ofer Wolberger (Life with) Maggie
21.04.09 - 30.05.09 Boris Savelev- 31 Years
11.03.09 - 20.04.09 Miyako Ishiuchi Mother's
05.02.09 - 10.03.09 Scarlett Hooft Graafland-You Winter, ...
13.01.09 - 31.01.09 John Davies Rachel Whiteread HOUSE
20.11.08 - 10.01.09 Nobuyoshi Araki- Hana Kinbaku
09.10.08 - 17.11.08 Simon Norfolk - Full Spectrum Dominance
30.08.08 - 04.10.08 Tiina Itkonen - Ultima Thule
25.06.08 - 27.08.08 Polly Borland - Bunny
25.04.08 - 16.06.08 Alex Prager - The Big Valley
07.03.08 - 12.04.08 Tod Papageorge - Passing through Eden
28.11.07 - 11.01.08 Jeff Bark
04.10.07 - 26.11.07 Eyes Of An Island - Japanese Photogra...
06.08.07 - 31.08.07 Group Show I
21.06.07 - 21.07.07 Valerie Belin
20.04.07 - 01.06.07 Scarlett Hooft Graafland
22.02.07 - 07.04.07 John Davies - The British Landscape
26.11.06 - 03.01.07 Jeff Bark - Abandon
01.10.06 - 28.10.06 Eleven Contemporaries
01.07.06 - 15.08.06 Valérie Belin - Pallette & Chips
07.10.05 - 26.10.05 ARAKI
08.06.05 - 20.08.05 Dodo Jin Ming - Free Element / Behind...
04.02.05 - 24.03.05 Tina Itkonen - Inughuit
24.06.04 - 30.08.04 Desiree Dolron - Xteriors
26.11.03 - 03.01.04 Laura Letinsky
24.09.03 - 22.11.03 Desiree Dolron - "Te dí todos mis su...
For past exhibitions at Michael Hoppen Gallery click here
08.12.10 - 12.02.11
© Yumiko Utsu
Digital C-type print
For it's winter show Michael Hoppen Contemporary presents the work of Japanese artist Yumiko Utsu.
If the proto-surrealist painter Arcimboldo had been a sushi chef, his creations might have looked something like Yumiko Utsu’s deliciously unsettling images.
Combining the intricate techniques of food photography with the anthropomorphic tendencies of manga, Utsu has an affinity for kitsch shared by British photographer Martin Parr. But instead of taking a strictly documentary approach to the Japanese relationship with food and the natural world, she uses fruit, vegetables, and seafood to construct surreal fantasies populated by kittens with octopus eyes, pineapples full of owls, and phallic carrots. Several contemporary Japanese artists – perhaps the most famous of whom is Takashi Murakami – reference manga, with its wide-eyed cartoon characters and anthropomorphized objects, in order to subvert modern Japanese culture. But by using the visceral, perishable products of nature to reinvent such imagery Utsu goes further, undermining the antiseptic values of the genre, pricking its glossy surface with a shudder of amused repulsion. By exposing the strangeness of manga’s visual strategies she also reveals our complex relationship to the natural world and to our own bodies – at once sensual and comic, tinged by eroticism, disgust, and desire.
Utsu has stated that her favourite artist is Czech animator Jan Švankmajer, whose surrealist short film Food (1992) revels in the disturbing, humorous, and erotic responses we have to the culinary arts. Likewise, Utsu’s photographic series suggest stills from an animated film, and portray similarly comic but unsettling scenarios: a seated bear in a volcanic landscape seems to erupt in a fountain of chocolate; a head of Romanesco broccoli is transformed into an alpine landscape; and a wide-eyed tomato gradually decomposes into a pulpy mass. By extracting individual moments from these imagined situations Utsu allows us to luxuriate in the pure visual pleasure of her creations, while giving us time to reflect on the significance of her surreal humour. As William Burroughs said when explaining the name of his famous novel: “The title means exactly what the words say: naked lunch, a frozen moment when everyone sees what is on the end of every fork”.
Yumiko Utsu was born in Tokyo in 1978. She has had solo exhibitions in Japan and Hungary and her work has been collected by Charles Saatchi. The work shown at the Michael Hoppen Gallery demonstrates both the consistency of Utsu’s creative vision and the rich variety of her imagination. Images of naive innocence, scatological humour and frank sexuality make this introduction to Utsu’s world a disturbingly seductive experience.
Accompanying Utsu we hang work from Valerie Belin's sumptuous Fruit Basket series, commissioned by the Musee d'Orsay as a response to the still life paintings of Manet.