02.12.11 - 21.01.12 Colour Constructions

07.10.11 - 12.11.11 Jerusalem

08.09.11 - 01.10.11 High Tide

15.07.11 - 25.08.11 Patagonia

13.05.11 - 09.07.11 Burke + Norfolk: Photographs from th...

24.02.11 - 21.04.11 Sohei Nishino - The Diorama Map Series

08.12.10 - 12.02.11 Winter Contemporary

14.10.10 - 06.12.10 Robert Bergman

10.09.10 - 10.10.10 Daido Moriyama

26.07.10 - 21.08.10 Guy Bourdin

10.06.10 - 17.07.10 Alex Prager - Week End

07.05.10 - 05.06.10 Daniele Tamagni and Araminta de Clermont

24.03.10 - 01.05.10 Yoshihiko Ueda - QUINAULT

14.01.10 - 20.02.10 Kishin Shinoyama- NUDE

25.11.09 - 09.01.10 C O L O U R - Group Show

22.10.09 - 21.11.09 Ellen von Unwerth- Fräulein

10.09.09 - 17.10.09 Starting with a Photograph

27.07.09 - 05.09.09 Revive - Group Show

04.06.09 - 25.07.09 Ofer Wolberger (Life with) Maggie

21.04.09 - 30.05.09 Boris Savelev- 31 Years

11.03.09 - 20.04.09 Miyako Ishiuchi Mother's

05.02.09 - 10.03.09 Scarlett Hooft Graafland-You Winter, ...

13.01.09 - 31.01.09 John Davies Rachel Whiteread HOUSE

20.11.08 - 10.01.09 Nobuyoshi Araki- Hana Kinbaku

09.10.08 - 17.11.08 Simon Norfolk - Full Spectrum Dominance

30.08.08 - 04.10.08 Tiina Itkonen - Ultima Thule

25.06.08 - 27.08.08 Polly Borland - Bunny

25.04.08 - 16.06.08 Alex Prager - The Big Valley

07.03.08 - 12.04.08 Tod Papageorge - Passing through Eden

28.11.07 - 11.01.08 Jeff Bark

04.10.07 - 26.11.07 Eyes Of An Island - Japanese Photogra...

06.08.07 - 31.08.07 Group Show I

21.06.07 - 21.07.07 Valerie Belin

20.04.07 - 01.06.07 Scarlett Hooft Graafland

22.02.07 - 07.04.07 John Davies - The British Landscape

26.11.06 - 03.01.07 Jeff Bark - Abandon

01.10.06 - 28.10.06 Eleven Contemporaries

01.07.06 - 15.08.06 Valérie Belin - Pallette & Chips

07.10.05 - 26.10.05 ARAKI

08.06.05 - 20.08.05 Dodo Jin Ming - Free Element / Behind...

04.02.05 - 24.03.05 Tina Itkonen - Inughuit

24.06.04 - 30.08.04 Desiree Dolron - Xteriors

26.11.03 - 03.01.04 Laura Letinsky

24.09.03 - 22.11.03 Desiree Dolron - "Te dí todos mis su...


For past exhibitions at Michael Hoppen Gallery click here

Nobuyoshi Araki- Hana Kinbaku

20.11.08 - 10.01.09

Hana Kinbaku
2008 ©Nobuyoshi Araki courtesy Michael Hoppen Contemporary

C-type print Edition of 1. Each sold with two original transparencies

132x86cm

Hana (Flower)
In my childhood neighborhood, there was a “temple for sanctuary.” This was a familiar place where I often played as a child. There, I found dying cluster of amaryllis (spider lilies), and was astonished by their beauty. I used a white background and shot the flowers until it got dark. This experience was the start of my “flower life.”
“ARAKI by ARAKI” 2003

Kinbaku (Bondage)
There is the “aesthetics” of bondage, like bondage masters’ Kikko Shibari (bondage in a testudinal form.) But I don’t need perfection like that in photography. Nor does the bondage have to be good. By not pursuing perfection, I try not to make it too much of an “art work.”
When I tie-up women, I tell them “I’m binding your heart, not your body.” A woman can slip out of my bondage. It doesn’t have to be accomplished.
“Subete no onna wa utsukushii (All women are beautiful)” 2006

This November, Michael Hoppen Contemporary is pleased to announce a new exhibition of work by one of Japan’s greatest artists, Nobuyoshi Araki. The gallery will present a series of handmade, one-off diptychs, never before seen in the UK.

Araki’s Hana Kinbaku works are photographic diptych studies of flowers (hana) and bondage (kinbaku- the ancient and highly skilled art of Japanese erotic restraint). In this body of work, Araki physically, and imperfectly, tapes the images into diptychs, accentuating the join between subject matter and adding an extra layer of texture to
each individual piece.

The juxtaposition of bound female semi-nudes and intense close ups of orchids, tulips and chrysanthemums strengthen the beauty of Kinbaku whilst reinforcing the innate sexuality of flowers. The work links Araki’s two main photographic themes; Eros (life/ sex) and Thanatos (death), conjoining them in a way that has a strong and direct visual impact. The decision by Araki to only print one of each coupled image enhances the intrinsic themes of life and death.

The pieces are exceptional and one-off works of art, and each will be sold with its own original transparency laminated between perspex, so no further copy will ever be created. For collectors this is a rare opportunity to own a matchless Araki work of art.

Michael Hoppen Contemporary specialise in Japanese photography and are delighted to be working be working with Nobuyoshi Araki and his studio in Tokyo for this exhibition.

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