09.10.08 - 17.11.08 Simon Norfolk - Full Spectrum Dominance
30.08.08 - 04.10.08 Tiina Itkonen - Ultima Thule
25.06.08 - 27.08.08 Polly Borland - Bunny
25.04.08 - 16.06.08 Alex Prager - The Big Valley
07.03.08 - 12.04.08 Tod Papageorge - Passing through Eden
28.11.07 - 11.01.08 Jeff Bark
04.10.07 - 26.11.07 Eyes Of An Island - Japanese Photogra...
06.08.07 - 31.08.07 Group Show I
21.06.07 - 21.07.07 Valerie Belin
20.04.07 - 01.06.07 Scarlett Hooft Graafland
22.02.07 - 07.04.07 John Davies - The British Landscape
26.11.06 - 03.01.07 Jeff Bark - Abandon
01.10.06 - 28.10.06 Eleven Contemporaries
01.07.06 - 15.08.06 Valérie Belin - Pallette & Chips
07.10.05 - 26.10.05 ARAKI
08.06.05 - 20.08.05 Dodo Jin Ming - Free Element / Behind...
04.02.05 - 24.03.05 Tina Itkonen - Inughuit
24.06.04 - 30.08.04 Desiree Dolron - Xteriors
26.11.03 - 03.01.04 Laura Letinsky
24.09.03 - 22.11.03 Desiree Dolron - "Te dí todos mis sue...
For past exhibitions at Michael Hoppen Gallery click here
Scarlett Hooft Graafland
20.04.07 - 01.06.07
Flash
© Scarlett Hooft Graafland
c-print mounted on dibond, behind plexiglass
100 x 125 cm
“… the chance encounter of a sewing machine and an umbrella on a dissecting table (can provoke) the most powerful poetic detonations”
Le Comte de Lautréamont, Les Chants de Maldoror, 1868.
We are delighted to announce the first UK solo exhibition of work by Dutch artist Scarlett Hooft Graafland. Inhabiting the border between straight photography, performance and sculpture, Hooft Graafland’s photographs are records of her highly choreographed live performances in the salt deserts of Bolivia. Fascinated by the surreal beauty of the harsh natural landscape she utilises this as her canvas. Anthropologically curious, her ideas emerge directly from the local mythology that originates in this otherworldly environment.
Using naïve and childlike colour palettes her photographs draw on the language of the surreal showing familiar objects out of context (a llama wearing balloons, top hats flying through the desert and a pair of naked legs entwined around a cactus). Her humorous and unsettling juxtaposition of these everyday objects with the sparse, unforgiving landscape echoes the aesthetic of surrealists such as René Magritte. Hooft Graafland utilizes the medium of photography, associated with the representation of truth, to represent the fantastic and the irrational.
‘Vanishing Traces’, a homage to land artist, Robert Smithson, is made out of floating balloons at Laguna Colorada in southern Bolivia. Smithson was inspired to make his original piece after reading about this particular red salt lake (Laguna Colorada) in the book Vanishing Traces of Atacama’ by William Rudolph. Due to the remoteness of the location however, Smithson installed his work in the Great Salt Lake in Utah. Hooft Graafland has returned to the place of his inspiration, with her team, to build her own transient spiral balloon jetty. The clean simplicity of her finished works offer no indication of the difficulties in accessing and working in such inhospitable terrains. Highly dependant on the collaboration of the local people, her journeys are indebted to the assistance of the local people and artists with which she works.
Born in the Netherlands in 1973, Hooft Graafland is based in both Amsterdam and New York. She has studied at the Royal Academy of Fine Arts, The Hague, Bezalel Academy, Jerusalem and Parsons School of Design, New York and has travelled to Iceland, Israel, Canada and the United States for her work. Her work has been exhibited in solo exhibitions all over Europe and as part of group shows at the Metropolitan Museum. New York, and the Musée D’Orsay, Paris amongst others.

