Each of Sohei Nishino’s photographic collages is a record of the artist’s interaction with a city. He spends weeks photographing on the streets and seeking out high vantage points from buildings or parks. Then he prints contact sheets, cuts out individual frames, and reassembles them into mural-size collages as large as six by seven feet, which are then re-photographed. The hallmarks of the “Diorama Maps,” 2004–, as the artist calls them, are their vertiginous shifts in perspective. From a distance they appear to
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