We also feature Sohei Nishino, whose ‘Diorama Maps’ – made up of thousands of images of city streets and buildings – speak physically and metaphorically about the many layers of histories lived by their inhabitants. And we catch up with Herman van den Boom, whose Neighbours project focuses on a building classification that most architects would sniff at – the Belgian Double House, which might pitch classical pastiche next to the suburban moderne – but which the photographer argues is actually a symbol of tolerance: “When people with such frequently opposing taste and style manage to live together in this surreal harmony, one may see ignorance, but also a demonstration of tolerance, a surrealistic harmony.”
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