The Photography show presented by AIPAD : Stand A14

23 - 27 April 2025
  • We are delighted to return to New York for The Photography Show, presented by AIPAD – the world’s longest-running fair...

    We are delighted to return to New York for The Photography Show, presented by AIPAD – the world’s longest-running fair dedicated exclusively to the art of photography.

     

    Held at the esteemed Park Avenue Armory, the event will bring together exhibitors, collectors, and friends from across the globe.

     

    We look forward to welcoming you to stand A14, where we will present a selection of rare and exceptional works—each a distinguished example of the photographic medium.

  • Krass Clement

    Krass Clement is an autodidactic Danish photographer, living and working in Copenhagen. Graduating with a film directing degree in 1973 from the Danish Film School, he soon after returned to photography which he had practiced in his youth. Since publishing his first book Skygger af øjeblikke (Shadows of the Moment) in 1978, Clement has become an active documentary photographer, focusing on people from both Denmark and abroad. Starting out in black and white, he has persisted in developing and modernising his artistic expression so that his practice today also includes work in colour. 

     

    His seminal series Drum (1991), photographed in an Irish pub on a single evening with only three and a half rolls of film, is now considered one of the most important contributions to the contemporary Danish photobook. Revolving around one principal character - a hunched, weather beaten old man who sits alone with his drink, Drum comments on community, the outsider, alienation and the terrors of being alone. From the text that accompanies the images in the book, the reader is informed that the bar was the meeting place for local Protestants in what is otherwise a predominantly Catholic region.

  • WEEGEE

  • To celebrate Weegee: Society of the Spectacle at the ICP, we will exhibit a selection of  key works from the gallery's Weegee collection. First published in LIFE, December 6 1943, Weegee gained almost instant success. He specialized on the night shift between 10pm and 5am. His reputation spread quickly for always being one of the first to arrive at a murder scene, a fire, arrest or rescue event. By 1937, his success had earned him profile pieces in LIFE and Popular Photography magazines. In 1938, as one of the first civilians and as the first photographer, Weegee was granted a permit to install and operate a shortwave radio capable of receiving all police and fire transmissions from his 1938 Chevrolet.

     

    We will have several works at this years AIPAD that originated from the ICP to

     coincide with the exhibition:

     

    International Center of Photography 
    Weegee, Auto Accident, New York 1943
  • Giorgio Sommer, Ritratto Di Donna, c. 1860

    Giorgio Sommer

    Ritratto Di Donna, c. 1860
    Albumen print from a glass negative
    Paper size: 44.5 x 30.9 cm
    Image size: 25 x 18.1 cm
  • Baron Adolph de Meyer, Claude Monet sur le seuil de son atelier, France, 1905

    Baron Adolph de Meyer

    Claude Monet sur le seuil de son atelier, France, 1905
    Vintage silver gelatin print
    Paper size: 42.2 x 30.9 cm
    Image size: 22.8 x 12.8 cm
  • 'The Debussy of the camera' was the apt description given to Baron de Meyer by Cecil Beaton, who greatly admired de Meyer’s ability to create such seductive effects of light – impressionistic, soft, diffused yet somehow alive and sparkling,– just as de Meyer admired the haloes of light that added a spectral glamour and magic to his portrait or his fashion and portrait studies.

    One of de Meyer's best known and rarest of images was the famous Water Lilies,  a masterful demonstration of his distinctive aesthetic, which might effectively be described as using his camera and lenses to paint with light. We are reminded of his admiration for the work of Claude Monet, whose portrait he was later to make and what you see here. Perhaps de Meyer’s {Water Lilies} was inspired by Monet's nymphéas series, initiated in 1899, and of which the photographer was surely aware.

    De Meyer was a member of the key associations – first the Linked Ring in Britain, then the Photo-Secession in New York – whose members saw themselves, at the close of the 19th century, as the champions of photography’s place among the noble arts in the face of the medium’s increasing popularisation and potential debasement. The Secessionists favoured recherché printing techniques that involved much skill in pursuit of subtle, painterly textures and effects. Platinum printing was one such process: the light-sensitive chemicals absorbed into the paper rather than contained in a layer of emulsion and offering a matte surface with a very subtle tonal range. It is telling that the two recorded platinum prints of Water Lilies, an image greatly admired and celebrated in its day, were acquired by Alfred Stieglitz, the foremost American champion of photography, and Karl Struss, a distinguished fellow Secessionist. The Stieglitz print was gifted to the Metropolitan Museum of Art.

  • Charles Jones, Seedling Pansies, c. 1900

    Charles Jones

    Seedling Pansies, c. 1900
    Born in Wolverhampton, Charles Jones has been accepted by many as a photographic figure to remain forever mysterious. Little is known of the life of the man or the reasons behind his creation of such a prodigious and concentrated body of work, in particular one that proclaims a subtle yet deeply felt sensibility for nature and provides an undeniably significant contribution to the worlds of both natural and art history.
  • László Moholy-Nagy

  • László Moholy-Nagy, Jealousy (Eifersucht), 1924-1927

    László Moholy-Nagy

    Jealousy (Eifersucht), 1924-1927
    Bibliography: Sibyl Moholy-Nagy, "Moholy-Nagy, the photographer" in Art d'aujourd'hui, series 2, no. 8, October 1951, p. 24
  • Sohei Nishino

  • Sohei Nishino, Diorama Map New York, 2006

    Sohei Nishino

    Diorama Map New York, 2006

    In making his Diorama maps, Sohei Nishino combines photography, collage, cartography and psychogeography to create large prints of urban landscapes. Drawing inspiration from the 18th century Japanese mapmaker, Inō Tadataka, his prints re-imagine the cities he has visited. To build his Diorama maps, Nishino walks a city's streets for an average of three months, exploring many vantage points and gathering hundreds of rolls of exposed film. He then painstakingly prints the photographs by hand and compiles them to form the tableaux he will use as the basis for his limited edition photographs. 

     

    Rarely available on the secondary market, we are excited to bring Nishino’s exceptional Diorama Map of New York back home to the city.

  • Ishiuchi Miyako, Mother's #39, 2002 / 2023

    Ishiuchi Miyako

    Mother's #39, 2002 / 2023
    One of Japan’s preeminent photographers, Ishiuchi Miyako is known for work that explores trauma, loss, and the traces of time’s passage in the context of postwar Japan. She began her Mother’s series in 2000, shortly before her mother, with whom she had a strained relationship, passed away at age 84.  Over the course of several years, Ishiuchi photographed clothing, makeup, and other personal effects that belonged to her mother, a strong-willed woman who came of age in colonial Manchuria in the 1930s and worked as a truck driver in wartime Japan.
  • Sarah Moon, Fashion 14, 1997

    Sarah Moon

    Fashion 14, 1997
    "When I shoot flowers or any still life, or fashion, colour forces me to be more abstract, I have to make the effort to transpose it, in order to get closer to what it was that first impressed me.  For me, black and white is closer to introspection, to memories, to loneliness and loss, I don't see the same in colour - it's another language, a living language.
  • Tim Walker, Xiao Wen Ju with Hokusai’s Great Wave of Kanagawa, Eglingham, Northumberland, 2012

    Tim Walker

    Xiao Wen Ju with Hokusai’s Great Wave of Kanagawa, Eglingham, Northumberland, 2012

    By this point I’d fallen in love with Xiao Wen. I couldn’t photograph her enough. Set designer Shona Heath and I were inspired by Hokusai’s Great Wave and making it a physical place. Shona wanted the foam on the crest of the wave to be blossom and I wanted Xiao Wen to become the boat. This picture is a marriage of imaginative interpretive set design and a great performer; one who understands how to belong in a fantasy.

     

  • FROM JAPAN

  • We remain deeply committed to Japan, and this year’s selection of exceptional works by key figures of 20th-century Japanese photography...

    We remain deeply committed to Japan, and this year’s selection of exceptional works by key figures of 20th-century Japanese photography only strengthens our enduring fascination with these visionary image-makers.

     

    Works by Nobuyoshi Araki, Ei-Q, Masahisa Fukase, Hiroshi Hamaya, Tetsuya Ichimura, Miyako Ishiuchi, Minayoshi Takada, Shomei Tomatsu, and Hiromi Tsuchida will be exhibited—many of which have never been seen in the USA before.

     

    Following our London exhibition at the end of 2024, a small selection of works by Kansuke Yamamoto will also be on display. A limited number of copies of our monograph are still available.

     

    [Order your copy HERE]

  • We look forward to welcoming you to stand A14