Chloe Sells

  • Summer Newsletter 18'

    A review of the past few months at Michael Hoppen Gallery June 28, 2018

    We have had a very busy few months with Photo London bringing many photography lovers to the fair and to the gallery. I was delighted to have seen so many wonderful new pieces at Photo London - especially the exhibition curated by Hans Kraus. Photography, up until only a few years ago, was a physics and chemistry process. Whilst the chemistry has almost disappeared or at least the choices photographers had have gone, the physics is still there, and now the computer and phone have also joined the range of tools available to photographers. But I still believe that the wonders of traditional process are well worth understanding in order to learn the full spectrum of how an image was or could be made...

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  • CHLOE SELLS: SWAMP

    SHORTLISTED FOR ARLES BOOK AWARD, 2016 June 30, 2016

    Chloe Sells new book published by GOST BOOKS has been nominated for the Author Book Award 2016 at Recontres d'Arles photo festival.

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  • CHLOE SELLS

    PHOTO LONDON, BOOTH B8 - Featured artist May 20, 2016

    At this years Photo London we have 29 unique analogue C-type prints painted with acrylic paint on display in a vitrine. 

     

    PHOTO LONDON BOOTH B8

    19-22 May, Somerset House

     

     

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  • BOOK SIGNINGS

    PHOTO LONDON, 22nd MAY May 9, 2016

    We are delighted to announce that at this years Photo London fair both Eamonn Doyle and Chloe Sells will be signing copies of their new books.

     

    SWAMP by Chloe Sells

    2-3PM, 22ND MAY

     

    END. by Eamonn Doyle

    4-5PM, 22ND MAY

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  • CHLOE SELLS

    PHOTO LONDON - SPECIAL FEATURE May 13, 2015

    Somerset House

    Michael Hoppen Gallery will be exhibiting work from 16 artists

     

    Chloe Sells divides her time between her home in Botswana, Africa, where she photographs with a large format camera, and London, England, where she processes and prints her work. Each of her prints is the result of her in-depth manipulation of the printing process in the darkroom, at once physical, spontaneous and deliberate. She employs experimental and spontaneous methods such as screens, overlays, open-weave fabrics and movements of the paper, expertly combined to create her unique, bold and dreamy photographs. Informed by extensive travel, residence and immersion in countries foreign to her, Sells explores the question of how places are defined, while speculating on the consequences of human experience of place.

     

    Sells’ arrangements become less a document of an actual place, and more an allegory of her relationships to those places. In more recent landscape work, remnants of a childhood in the Colorado Mountains and extensive travels in adulthood have imbued Sells’ work with a reverence for the sublime beauty of nature...

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