Shomei Tomatsu

"A photographer looks at everything, which is why he must look from beginning to end. Face the subject head-on, stare fixedly, turn the entire body into an eye and face the world"

- Shomei Tomatsu

Shomei Tomatsu (1930 - 2012) was perhaps the most influential Japanese photographer of the post-war era.  His raw, grainy and impressionistic style signalled a dramatic break with the quiet formalism that had defined earlier photography.  Influencing the anti-establishment Provoke photography movement in Japan in the late 1960s, he is hailed as the stylistic mentor of artists such as Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara.


"Tomatsu is the pivotal figure of recent Japanese photography, his images are an intuitive response to the experience of life itself." 

- John Szarkowski

Born in the age of Japan's turbulent, self-questioning postwar years, Tomatsu began his career as a traditional photojournalist, but found himself drawn intuitively to the everyday.  As curator and critic John Szarkowski put it, he was intent on "the rediscovery and restatement, in contemporary terms, of a specific Japanese sensibility."  
Few photographers have looked so closely and penetratingly beneath the skin of a nation as Tomatsu did when he turned his camera on his homeland.  The results remain by turns startling, disturbing and complex, imbued with all the contradictions he felt about Japan, photography and himself.
Tomatsu's best-known photograph, Melted Bottle, Nagasaki, 1961, depicts a relic from the atomic bomb of 1945 in which the object has been mutated by the intense heat of the blast to resemble a grotesquely skinned animal, surreal and unsettling in its poetic poignancy.  The photograph is emblematic of his work as a whole in which he transformed the very idea of photography in Japan, pioneering extreme subjectivity and a visceral approach that elevated the grainy, the broken and the blurred above the formally beautiful. 
Shomei Tomatsu's work is included in renowned private and public collections worldwide.  In 2006 a major retrospective of his work The Skin of the Nation was held at SFMOMA.