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AIPAD | The Photography Show 2026: Park Avenue Armory, New York | Stand A14

Forthcoming exhibition
22 - 26 April 2026
Open a larger version of the following image in a popup: Charles Matton, Cavallo and Poussine, 1973

Charles Matton

Cavallo and Poussine, 1973
A unique vintage photostat
Image size: 31 x 34.2 cm
Titled and dated in pencil verso by the artist's wife
Artist's blind stamp recto
Copyright The Artist
Enquire
%3Cdiv%20class%3D%22artist%22%3ECharles%20Matton%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECavallo%20and%20Poussine%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1973%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EA%20unique%20vintage%20photostat%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EImage%20size%3A%2031%20x%2034.2%20cm%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3ETitled%20and%20dated%20in%20pencil%20verso%20by%20the%20artist%27s%20wife%3Cbr/%3E%0AArtist%27s%20blind%20stamp%20recto%3C/div%3E

Literature

I am not talking here about pure beauty and the powerful charm of Charles Matton's paintings and objects. I am talking about something else, I am talking about that derisory, confused and yet warm secret that is our existence when we see it through Matton's canvases. I am talking about the curious sacrilege he makes us commit at the same time as this act of faith, I am talking about the affection he visibly demands from those around him and which allows us, once surrounded by his works, to better endure this frightening disorder, down to the last millimetre, that is generally our existence.

Françoise Sagan, February 1989

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Gallery: 10 Portland Road • London • W11 4LA

Archive: Unit 10, Pall Mall Deposit • 124-128 Barlby Road • London • W10 6BL

Tel: +44 (0)20 7352 3649  •  gallery@michaelhoppengallery.com

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